Daisy was born Daisy Fay in Louisville, Kentucky, a daughter of Louisville society and Nick Carraway’s cousin. Like the flower for which she is named, Daisy is delicate and lovely. She also shows a certain weakness that simultaneously attracts men to her and causes her to be easily swayed. Daisy’s weakness influences the major points of the story, and she is responsible, if not intentionally, for the novel’s tragic ending.
Daisy first met Jay Gatsby in 1917, when he was stationed at Camp Taylor in Louisville. The two fell in love quickly, and Daisy promised to remain loyal to Gatsby when he shipped out to join the fighting. Two years later, she married Tom Buchanon because he bought her an expensive necklace, with the promise of a life of similar extravagance. Daisy is definitely distracted by wealth and power, and despite her husband’s unfaithfulness, she insists she still loves him because of his influence.
Gatsby is another matter entirely. Although she left him because he couldn’t provide for her the way Tom could, she retained some glimmer of emotional connection to him. When Gatsby finally professes his love over tea, she responds positively. But is she renewing an old love, or manipulating Gatsby? The novel doesn’t give us any clear idea.
Daisy is described in glowing terms in the novel, although her value seems to be connected to monetary value. In chapter 7, for example, Nick and Gatsby have the following famous exchange:
“She's got an indiscreet voice,” I remarked. “It's full of —” I hesitated.
“Her voice is full of money,” he said suddenly.
That was it. I'd never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals' song of it.… High in a white palace the king's daughter, the golden girl.… (120)
Daisy is an ideal, and Fitzgerald gives her the qualities to not only live up to that ideal but to also bring it crashing down around her. Daisy’s myth is as big as Gatsby’s, at least in Gatsby’s mind; like him, she took the necessary opportunities to make herself what she wanted to be. Tom takes good care of her financially and is even jealous when he realizes, in chapter 7, that Gatsby is in love with his wife. Later, Nick clears up at least part of the mystery Daisy presents: “She was the first ‘nice’ girl he’d ever known” (148; ch. 8). Nick’s use of quotes for the term “nice” shows that Daisy hardly fits the ideal image Gatsby invests her with.
Like money, Daisy promises far more than she is capable of providing. She is perfect but flawed, better as an image than as a flesh-and-blood person. Daisy was in large part based on Fitzgerald’s wife, Zelda, who he both worshipped and distrusted. Daisy’s money is her protection, her power, and her defense against any accusation that might come her way.
When Myrtle Wilson is killed by Daisy’s careless driving, she hides behind both money (in the form of Tom and Gatsby) and Gatsby’s love. Gatsby is the only true witness, but he takes the blame for her. Rather than renew their month-long affair, Daisy disappears into her opulent house, retreating into the only security she knows. She continues her almost ghostly existence, leaving the men in her life to clean up the mess.
Daisy’s confused sense of loyalty is evident in her disappearance before Gatsby’s funeral—she and Tom move away almost immediately, leaving no forwarding address for Nick or anyone else. An even bigger insight is Daisy’s infrequent mentions of her own daughter, who is only briefly discussed in the first chapter and in chapter 7. The child is nothing more than an afterthought, as she is unable to give Daisy anything but love, which she has in abundance. Daisy is incapable of caring for her infant—one assumes a governess or nanny takes care of her—any more than she is able to truly love Tom or Gatsby. She doesn’t love them as men, it seems, but as sources of revenue.
Daisy is capable of affection. She seems to have some loyalty to Tom, and even a certain devotion to Gatsby, or at least to the memory of their earlier time together. However, like money, Daisy is elusive and hard to hold onto. This may explain why Tom and Gatsby fight over her in chapter 7 as if she were an object:
“Your wife doesn't love you,” said Gatsby. “She's never loved you. She loves me.”
“You must be crazy!” exclaimed Tom automatically.
Gatsby sprang to his feet, vivid with excitement. “She never loved you, do you hear?” he cried. “She only married you because I was poor and she was tired of waiting for me. It was a terrible mistake, but in her heart she never loved any one except me!” …
“Sit down, Daisy,” Tom's voice groped unsuccessfully for the paternal note. (130-131)
The tone of the argument seems almost like that of two men fighting over the pot in a poker game. Daisy is a prize, and she seems to see herself in those terms. In this sense, Daisy is far from what one would call a “feminist” character; rather, she is a symbol of shallow beauty, and of the amoral worlds of both East and West Egg.
In the first two chapters of the novel, its title character is a mystery—a wealthy, fun-loving local celebrity with a shady past who throws lavish weekly parties. On the surface, Gatsby is an example of the American Dream in the 1920s, the desire for wealth, love and power.
As the novel progresses, we see Gatsby more as a man than a mythical figure, and we discover that the myth of the “Great Gatsby” (as in the “Great Houdini,” an escape artist of the time) is created by Gatsby himself. He is truly a “self-made man, a fiction whose past and obsessions finally destroy him.
Jay Gatsby was born James Gatz, the son of a poor farmer in North Dakota. From an early age, Gatz was aware of his family’s poverty, and he swore he would attain the wealth and sophistication his childhood lacked (including, apparently, a fake British accent). Once out of high school, Gatz changed his name to Jay Gatsby and attended St. Olaf’s College to begin his climb to the distinction he craved. Unfortunately, Gatsby had to take a janitor’s job to pay his tuition; he left St. Olaf’s in disgust after two weeks.
Gatsby’s true education came at the hands of Dan Cody, an older man who teaches him the ways of the world in 5 years aboard Cody’s boat, the Tuolomee, on Lake Superior. Cody, a hard drinker and womanizer, was Gatsby’s role model more in teaching him what not to do. Gatsby rarely drinks, and is distant at his own lavish parties. He wants the success Cody achieved without the destructive habits that success afforded him.
After Cody died at the hands of a mistress, Gatsby joined the army and World War I. While stationed in Louisville, Kentucky, in 1917, Gatsby met a young Daisy Fay, a daughter of Louisville society. Gatsby fell in love with Daisy, lied about his background, and vowed to someday be good enough to win her heart. Gatsby believed Daisy’s promise to wait for him, but he returned to Louisville as she and Tom were on their honeymoon. Devastated, Gatsby went to Oxford in English for the education that would complete his transformation from poor farm boy to famous (or infamous) socialite.
Gatsby’s only true dream is Daisy’s love; the parties he gives at his lavish West Egg mansion are purely to lure her to him the way he stares at the green light from her dock late at night. He begs Nick to set up a rendezvous with Daisy for him, which Nick does. Their love rekindles for a short time, and Gatsby’s unrealistic view of Daisy as the picture of perfection is renewed. It is this view that eventually causes Gatsby’s death.
In a confrontation at the Plaza Hotel, Tom openly accuses Gatsby of criminal activities, including bootlegging. Tom knows about Gatsby and Wolfsheim’s “drugstores” that sell illegal grain alcohol, as well as other, more mysterious crimes. Gatsby handles the accusation with cool calm, but is devastated by Daisy’s assertion that she does indeed love her husband.
In a last-ditch effort to prove his love to Daisy, Gatsby takes the blame when she accidentally hits Myrtle Wilson in Gatsby’s car. Tom Buchanon tells Myrtle’s husband, George, that Gatsby was driving the car, hinting that the two may have been having an affair. At this point, the Gatsby myth returns full force, as an enraged, jealous Wilson shoots Gatsby dead, then kills himself.
Jay Gatsby dies that night, and James Gatz along with him, anonymous and alone. Gatsby’s obsession with Daisy causes him to lie his way to his standing in the community, lie about his life, and lie to protect Daisy from a fate that is transferred to him. Despite all that Jay Gatsby does, James Gatz lies just beneath the surface, simply wanting to be loved. The other activities are meaningless compared to the month he spends as Daisy’s lover. An authentic Jay Gatsby might be too detached, too crafty, to get caught up in Myrtle Wilson’s death, but James Gatz can’t hope to distance himself from one last charitable act—trying to protect the woman he loves. Gatsby can easily be seen as a negative character—a liar, a cheat, a criminal—but Fitzgerald makes certain we see the soul of James Gatz behind the myth of Jay Gatsby.
Gatsby/Gatz is in fact a tragic character motivated by love. He is also hopelessly flawed, a shadow that is incapable of a life without Daisy, even if she’s only living across the lake.
Fitzgerald ties Gatsby up with the American Dream, a dream of individualism and success with a purpose. Like the America of the 1920s, Gatsby loses sight of his original dream and replaces it with an unhealthy obsession—for the country, the pursuit of wealth for its own sake; for Gatsby, a sense of control over Daisy as evidence by both him and Tom in the Plaza Hotel. Gatsby is symbolic of a nation whose great wealth and power has blinded it to more human concerns.
Gatsby’s Romantic idealism, which Nick calls “some heightened sensitivity to the promises of life” (2; ch. 1), is all that drives him, and no enterprise that enables him to get what he craves is too extreme. In this sense, Gatsby could be considered more amoral than immoral—morality simply has no meaning for him so long as he makes his dream come true. Everything is simply a means to an end, and Gatsby represents those for whom the end is the only thing that is important.
Nick is the narrator of the novel; the story is told in his voice and through his perceptions. It has also been suggested that Nick may be the character F. Scott Fitzgerald based most closely on himself. In a sense, then, Nick may show Fitzgerald’s own opinions of wealthy, immoral characters like Gatsby.
Nick is a good Midwestern boy who attended Yale and moved to New York in 1922 to work in the bond market. He is well-positioned...
(The entire section is 4614 words.)
THE JAZZ AGE (ROARING TWENTIES) in F. SCOTT FITZGERALD’S “THE GREAT GATSBY” The Analysis of the Great Gatsby in the perspective of “The American Basic Values”
THE JAZZ AGE (ROARING TWENTIES) in F. SCOTT FITZGERALD’S
“THE GREAT GATSBY”
The Analysis of the Great Gatsby in the perspective of “The American Basic Values”
In 1920s, or era which is sometimes called as “roaring twenties” after World War I, America went under a radical change and social reform. The developments in industrialization caused decay in moral values. This resulted in materialism’s obliteration of the doctrines and rules of moral duties. Thus, the society was torn apart due to the clash between old and new values. The Great Gatsby, a novel by F. Scott Fitzgerald reflects the American society during this period and clearly portrays the contrast between traditional and corrupted values by manifesting the distinct character traits, attitudes and habits of the characters; their individual patterns of typical lives and thoughts about the others.
This paper is inspired by the illustration of the condition of the American society in the 1920’s and the associated beliefs, values and dreams of the American population at that time. These beliefs, values and dreams can be summed up be what is termed the “American Dream”, a dream of money, wealth, prosperity and the happiness that supposedly came with the booming economy and get-rich-quick schemes that formed the essential underworld of American upper-class society. This underworld infiltrated the upper echelons and created such a moral decay within general society that paved the way for the ruining of dreams and dashing of hopes as they were placed confidently in the chance for opportunities that could be seized by one and all.
In Fitzgerald’s novel, we can get illustration of the American Dream and the “foul dust” or the carelessness of a society that floats in the wake of this dream. By looking at each character and their situation and ambition, it can be seen that the American Dream was not limited to one social class or type of person, that it was nation wide and was found within everyone.
The Analysis of the Great Gatsby in the perspective of “The American Basic Values”
We have learnt that there are some basic values that become “traditional” American values. Three represent traditional reasons why immigrants have been drawn to America: the chance for individual freedom, equality of opportunity, and material wealth. In order to achieve these benefits, however, there were prices to be paid: self-reliance, competition, and hard work. In time, these prices themselves became a part of the traditional value system.
Old values represent the traditional life style and are based on morality and virtue. The characteristics of these values are portrayed by some characters, events and settings throughout the book. The positive aspect of the twenties’ attitude is implied in Anthony’s meditation by the phrase “lusterless and unromantic heaven.” Firstly, old values give one a sense of right or wrong and obedience to social conventions. For example, Nick, the narrator of the book who lives according to these values says that he is slow thinking and full of interior rules that act as brakes on his desires. Then he observes the people around him and adds that he is one of the few honest people that he has ever known. His ideas show that spiritual values such as self-control, honesty and human respect are significant but rare. Secondly, the old life style includes close and warm friendships that depend on respect and love. Gatsby trusts Nick and shares his secrets with him. They establish a genuine friendship. This emphasizes the importance and scarcity of sincere relationships. Furthermore, the old life style is characterized by a certain modesty in which wealth and public show of it are not the only sources of validation. This way of life is illustrated by the settings of the book. For instance, West Egg, where Nick and Gatsby live, corresponds to the traditional life style. Nick describes this place and writes:
I lived at West Egg, the-well, the less fashionable of the two, though this is a most superficial tag to express the bizarre and not a little sinister contrast between them. my house was at the very tip of the egg, only fifty yards from the Sound, and squeezed between two huge places that rented for twelve or fifteen thousand a season. the one on my right was a colossal affair by any standard-it was a factual imitation of some Hotel de Ville in Normandy, with a tower on one side, spanking new under a thin beard of raw ivy, and a marble swimming pool, and more than forty acres of lawn and garden. It was Gatsby’s mansion. Or, rather, as I didn’t know Mr. Gatsby, it was a mansion inhabited by a gentleman of that name. My own house was an eyesore, but it was a small eyesore, and it had been overlooked, so I had a view of the water, a partial view of my neighbor’s lawn, and the consoling proximity of millionaires-all for eighty dollars a month.
The above quotation gives description that this place is associated by old-fashioned stability, modesty and frugality; concepts that are meaningful according to the old moral code. From the position as narrator we have access to the thoughts and feelings of Nick Carraway more than any other characters; but this same position also reduces the effectiveness of the reader as a judge of character because he is presented in a biased way compared to others. With that said, it can be seen that Nick suffers greatly from his experiences in New York. His regard for human decency is ruined and he leaves with his hopes dashed and a disgust at how the materialism that runs rampant throughout his social class is capable of ruining lives and dreams. Nick, as with all characters is a believer in the American Dream because even he moves East to work in the bond business – then a booming industry. Because of the actions of his cousin Daisy, her husband Tom and the beliefs held by his love interest in the novel Jordan, Nick is finally privy to how the dreams and values held by all these people overrun their sense of sensible behavior and how the general society caused their personalities to be affected this way.
The transformation between James Gatz and Jay Gatsby is an example of how people can transform themselves according to their ambition for wealth and prosperity. The use of illegal activities to gain Gatsby’s wealth is alluded to in the book; this shows the extent of how the American Dream circumvented the moral revulsion and pushed people who were crazy about money into crime – driving the moral standing of wealthier citizens into the ground. To Gatsby, his dream was symbolized by Daisy; Gatsby even says that her voice sounds like money, a direct correlation between Daisy and the wealth and happiness that Gatsby would supposedly enjoy if only he could have married Daisy but could still enjoy if he had married her five years later. His pursuit of happiness with Daisy was the ultimate cause of the degradation of Gatsby’s morals and realistic dreams. This is because he held an unrealistic view of life and how he could recreate the past. His dreams had distorted reality to the point where when his rationality realized that the image of life and of Daisy did not coincide with the real life version his mind did not grasp that perhaps the dream had receded to the point of no return, consequently his dreams helped to result in the devastating end that was the finish of The Great Gatsby.
This difference in Gatsby’s mental image and the real image of daisy was due to the incompleteness of Daisy’s character. Her rendering of the American Dream included fun, comfortable living with money and influence. To do this her marriage choices were limited to men with money, preferably with old inherited money, the type that prestige accompanies. The reader can see that Daisy is a superficial character who considers happiness more of a physical state than a mental state by the scene when she is talking about her daughter and what she said when she was born: “that’s the best thing a girl can be in this world, a beautiful little fool”; this shows how Daisy thinks about life and how happiness can be bought by not being aware and presumably by having money and being fooled with it. The results of her dream and the methods she used to accomplish her dream led to the unhappiness of her marriage, when she again tried to capture happiness whilst still keeping her dream in front of her it ended in the tragedy that The Great Gatsby depicted. If Daisy had indeed been concerned with happiness, as was implied throughout the novel, then she would not have been as concerned with money as she obviously was – she would have waited for Gatsby to come back from the war and not have married Tom; a decision based on her thoughts of what her life should have been life and a decision that cost her happiness. The moral decadence and carelessness of the American dream is also illustrates accurately in Daisy in the situation of the killing of Myrtle and her abandonment of Gatsby just before and after his death. The fact that she ran over Myrtle without stopping and did not have the bravery to tell Tom shows how Daisy was always thinking of herself and of her own comfort rather than the safety, wellbeing and feelings of others.
Tom’s interpretation of the American dream does involve money it is not his prime concern as it is with many of the other characters. His dream also concentrates of power, gained through the prestige that is associated with old money. His self-confidence and utter belief in his superiority are an example of how he thinks about himself in relation to all other people, especially ones of a lower social class. Tom’s dream of power and superiority led to his moral decline that contributed to Tom ruining his marriage with Daisy and ultimately her wishes of having a truly happy marriage. Not only did his lack of morals affect Daisy and her happiness it also fostered the situation of Gatsby’s and George’s death which was the ultimate example of how the effects of the American dream caused society to change their morals and exhibit actions that were detrimental to society in general.
Myrtle, as almost a coconspirator with Tom, is to blame for the unhappiness of her own marriage with George and Tom’s marriage with Daisy but the latter would already have been unhappy because of Tom’s former indiscretions. Her dream of riches and of belonging to a social elite blinded her from the chance that perhaps she could have tried to make her marriage with George work and hence achieve happiness, though this can be doubted generally because it can be said that a woman with personality and ambitions such as myrtle could hardly have been happy with a “spiritless” man like George. Supposedly she married George because she thought he was a gentleman, something that the social elite traditionally value; though only if he is also rich enough to belong there in the first place. Because myrtle’s personality is so strong it would have indeed been easy for her aspirations for her style of living to corrupt her values and so open the door for the ruining of her dreams. This ruination indeed happened because of the man she fell in love with, Tom, and what he stood for – money, power and materialism.
George, as a complete opposite to myrtle, turned to a more introvert person as a consequence of his style of living in the garage. Towards the end of the novel the reader may question his state of mind because of some of his actions toward myrtle, especially his opinion towards the eyes of the T.J. Eckleberg advertisement, whilst it is obvious to the reader that they do indeed represent God or at least the fact that the moral decay is being subtly observed it could not be obvious to the characters of the book (except George). This could be because they were indeed far too busy gallivanting around New York with their lack of morals and the behavior that was the The Great Gatsby. Despite the fact that George did not belong to a church he became religious towards the end of the novel, perhaps as a reaction to the behavior of his wife and the depression that would have been associated with both that and the failings of his business. His dreams are not well documented in the novel, apart from the obvious dream of money and making a profit of his business, this obvious dream was in fact ruined because of the fact that not everyone could get rich (the basis of the American dream) and the immoral behavior of his wife and the rest of the characters.
As another contrast to all of the aforementioned characters Jordan’s immoral behavior does not directly lead to any of the situations in the novel, whilst she did encourage Daisy to have an affair with Gatsby she could not be blamed for the deaths or the unhappiness of any of the other characters. Jordan can be viewed as a representative of general society as she does display many immoral traits (Such as moving the ball illegally during one of her tournaments and being more than slightly hypocritical when she talks about careless people, saying she “hates careless people” when she admits that she is one.) that contribute to the overall ethical decay within the American aristocracy.
Fitzgerald shows that in the social classes that were represented in The Great Gatsby there is a running theme of how the American dream affects all of the characters, they each have their own aspirations for their own life but more often than not they revolve around money and the effects that wealth has on their style of life. Because of the tragic events within The Great Gatsby and the fact that the characters who are still alive at the end of the novel, bar Nick, are not drastically altered by their experience lend to the view that the 1920’s and 1930’s or the Jazz Age held a society of people who were ruled by materialism and trivial and depthless beliefs and values.
On the other hand, after World War I as people got away from the traditional life style, their moral considerations were suspended. These changes are illustrated by the personalities, behavior and life styles of several characters in the book. Firstly, these characters are concerned chiefly and only with themselves. As Nick observes Tom and Daisy who have been cruel ad vulgar, he explains their attitudes towards others by saying that “they smashed up things and creatures and then retreated back into their money or their vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made“(page 187). Throughout the book, they act vulgarly and cruelly. This criticism points out the fact that selfishness is one of the major traits present in the society. Secondly, although people meet frequently in social events, they lack sincere intimacy. At Gatsby’s party, Nick hears the guests milling around, exchanging rumors about their host but no one seems to know the truth about Gatsby’s wealth or personal history. This indicates that although people seem very close, they don’t really share anything and are distant. The corruption of society is clearly indicated by this secession among people. In addition, suspension of devotion to family comes along with corruption of values. For example, Jay Gatsby was in fact called James Gatz. He changed his name because “His parents were shiftless and unsuccessful farm people-his imagination had never really accepted them as his parents at all. The truth was that Jay Gatsby, of West Egg, Long Island, sprang from his Platonic conception of himself. He was a son of God” (page 104). As it is emphasized in this quote, Jay Gatsby struggles to establish a new life for himself just because his parents are poor and don’t fit into the idealistic figure of modern family. Furthermore, materialism replaces the vanishing values and money promotes to be the only aspiration of the people. The luxury of Tom’s house is described by elaborate decorations such as “the frosted wedding cake of the ceiling”, “wine-colored rug” and an “enormous couch” (page 12). This rich decoration shows how important appearance and money are. The fact that decorations of this house are considered significant and worked on elaborately despite the problematic relationships is a proof of the corruption in the society. For short, there are two distinct groups in the society: The conventional people and the “modern” ones who are pursuers of power and superiority. They disregard moral values and are carried away by a stream of materialism. There is a huge gap between these two groups. This secession ruins the unity, peace and prosperity in the society.
 “The decade of the 1920s is often characterized as a period of American prosperity and optimism. It was the “Roaring Twenties,” the decade of bath tub gin, the model T, the $5 work day, the first transatlantic flight, and the movie. It is often seen as a period of great advance as the nation became urban and commercial (Calvin Coolidge declared that America’s business was business). The decade is also seen as a period of rising intolerance and isolation: chastened by the First World War, historians often point out that Americans retreated into a provincialism evidenced by the rise of the Ku Klux Klan, the anti- radical hysteria of the Palmer raids, restrictive immigration laws, and prohibition. Overall, the decade is often seen as a period of great contradiction: of rising optimism and deadening cynicism, of increasing and decreasing faith, of great hope and great despair. Put differently, historians usually see the 1920s as a decade of serious cultural conflict.”
 Fitzgerald was born on September 29, 1896 in St. Paul Minnesota. His prename, Francis Scott Key, was given to him to honor his distant ancestor who wrote the National Anthem. Fitzgerald’s father, Edward Fitzgerald, was from Maryland while his mother, Mary McQuillan, was the daugher of an Irish-Catholic immigrant.
 The 1920’s, also known as the Jazz Age, were wild times, and Francis Scott Key Fitzgerald was its king. Although he lead one of the most wild and luxurious lifestyles of anyone during the decade, Fitzgerald was known more for his prominent works of literature, which have gained a permanent place among the American classics.
 Maryanne Kearny Datesman. The American Ways : An Introduction to American Culture. New York. Longman. 1997 page 23
 Arthur Mizener. F. Scott Fitzgerald : A Collection of Critical Essays. New Jersey : Prentice Hall. Inc 1963 page 69.
F. Scott Fitzgerald. The Great Gatsby. Page 64
Ibid. page 9